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	<title>the optimist blog</title>
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	<description>the startup</description>
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	<pubDate>Sat, 28 Jul 2007 10:43:29 +0000</pubDate>
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      <title><![CDATA[locarno calling]]></title>
      <description><![CDATA[this is really very exciting: we're being screened at locarno.  officially selected for the 'pardi di domani' (which means 'leopards of tomorrow', so called because the top prize at locarno is a golden leopard) competition, bunkers &amp; mounds will be shown three times, first on thursday 9th august at 2pm, and then again friday 10th at eleven in the morning and saturday 11th at 6:30pm.

it's been a crazy week getting the film there though: we originally shot it on HDV which for those of you who aren't technically minded is a high-definition format, but not the 'highest' there is, if you like, since it still uses a compressor to handle all the data.  this was up-converted to full HD and the new tape sent to belgium, which is nowhere near switzerland, but which is where it was going to be re-digitised and put on a server from which it will then be screened in locarno.  digital cinema has many beautiful advantages, such as this particular one: you can superimpose subtitles onto the film as it is being screened.  so far so good.  except final cut pro, the professional editing software we've been using to edit this film and which i'm an ardent fan of has just revealed its first major flaw: it's bad at handling subtitles.  for example, it can't export a subtitle file in a format that can then be used in combination with a standard digital cinema projector.  

this is where the mayhem starts.  first i'm trying to get a compatible subtitle file out to our friends in belgium.  this isn't working.  then i try to get the subtitle file that we can make converted by a third party service.  this isn't available.  so we go: fine, let's send them an already subtitled version of the film.  we need to do this in the standard definition beta format anyway as a back-up, so we might as well generate a high definition tape with the subtitles on.  another day in the edit suite and really quite a bit of money spent at the duplication house later we datapost a pristine new hi-def tape to b ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/13/locarno-calling</link>
      <pubDate>Sat, 28 Jul 2007 10:43:28 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/13/locarno-calling#cmt</comments>
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    <item>
      <title><![CDATA[and onto the big screen]]></title>
      <description><![CDATA[this is it.  we've made our film.  we're showing it: saturday 10th february 2007 at 6:30pm is the moment of truth.  the study of bunkers &amp; mounds in a temperate climate (relatively speaking) goes onto the big screen number one at the curzon soho cinema in london.  and exciting as that is, it's also just a bit scary:

that really is then the point of no return.  you could argue - and you'd be right - that the point of return was passed about ten months ago when we committed ourselves to principal photography in scotland.  but up until now it always felt like we could still change, tweak, polish and, well, generally <span style="font-style: italic">improve</span> things.  once things are on a great big screen with a great big sound system in front of an audience, that really isn't possible any longer.  so here goes.

what's curious is: i have no idea where i am now with this: i've seen the film so many times, it's impossible for me to tell whether it is in fact any good or not.  of course, i like it.  but then i would.  and it's the film i wanted to make.  so i'm happy about it.  and i'm extremely happy about having made the film in the first place.  everything else now, it seems, will more or less come as a bonus.  but will anybody get it?  that really remains to be seen.

so the next couple of weeks will be taken up with getting the DVD ready - i've still got to cut the trailer, and i've decided to include optional subtitles in english, german and italian.  because i've noticed that non-native english speakers, of which there'll be many who will get this DVD either as festival programmers or as framefunders and friends, struggle with the dialogue: the combination of scottish accents, contemporary speech delivery and some tricky sound environments make following what's happening something of a challenge if you're just not that familiar with the language.  i particularly enjoy reading the italian dialogue (which my friend and erstwhile italian teacher alessia so generously has translated for me ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/12/and-onto-the-big-screen</link>
      <pubDate>Sun, 28 Jan 2007 04:19:23 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/12/and-onto-the-big-screen#cmt</comments>
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    <item>
      <title><![CDATA[nearly there - and a first result]]></title>
      <description><![CDATA[we are - i think (i hope) - on the home straight.  we're expecting to spend a few more days this week in the edit suite putting malcolm's sound mix together with the picture, and fine-tuning the colour grading a bit, and then that should be it.

these last few months have gone by in a flash and i sometimes wonder to myself just exactly how a sixteen minute short could be spending quite so much time in post production.  but of course on an unfunded project like this you continually work around other commitments and such unwelcome demands on your time as having to earn some money in between stints to keep yourself and the project afloat.  and the same goes for the people you're working with.  that's one of the things i'm most looking forward to: being able to fully, intensively, <span style="font-style: italic">undisturbedly</span> concentrate just on the film i'm making, with the distractions kept at bay.

meanwhile though: a first bit of good news came through last thursday, and that's also helped me focus my mind back on this project, and propel it forward to completion: we had submitted our final cut master - the version just before picture grading and sound post-mix - to the TCM classic shorts competition which is run in conjunction with the london film festival, and as the shortlist was announced i was thrilled to realise that bunkers &amp; mounds has been &quot;highly commended&quot; by a jury which after all includes people like terry gilliam, stephen poliakoff and pierce brosnan!...

now, obviously, being shortlisted for the award would have been <span style="font-style: italic">even better</span>, but i confess to being more relieved than disappointed that that didn't happen just on this particular occasion.  not because i don't want to win any awards with this film (i do), but simply because it would have put us into something of a tight spot: the shortlisted films are being screened at the festival this coming thursday (it's tuesday as i write this) and though we would have got the film done in time somehow, this gives us a bit  ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/11/nearly-there--and-a-first-result</link>
      <pubDate>Mon, 23 Oct 2006 23:54:41 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/11/nearly-there--and-a-first-result#cmt</comments>
    </item>
    <item>
      <title><![CDATA[it's a wrap!]]></title>
      <description><![CDATA[it's saturday, it's the 17th june, and it's 2:30 or thereabouts in the morning.  and i'm saying it.  more or less six months after starting pre-production, almost to the day two months after finishing principal photography, and having spent days in the rain, the snow, the cold and the sun, having dealt with hailstorms and off-their-head-crew-members'-girlfriends, and having just spent some six hours or so in the water, gary and james are finally allowed to stand down.  at least as far as the picture is concerned.  we've still got a fair amount of sound recording and re-recording to do and we will spend a lot of time yet in the edit suite refining our rough cut to a final edit, but - barring any last second disasters - shooting is done now.  

i set out making this short a) because i liked the story and wanted to see it on the screen and b) because i felt i needed to learn a lot more about film-making before i could start raising finance for a feature film with any degree of confidence, and c) because i liked the idea of shooting in the highlands in the rain.  so the project has already fulfilled a lot of its original purpose: the way the story is taking shape on the screen is beautiful.  i would say that, you may say, and you'd be right, but only in parts.  from a writer/director's perspective it's as easy to be self-critical as it is to get excited about the work once you see it materialise.  in fact, it's probably easier to be critical because you can always, always see something you could have done better.  but as we're working through the footage and starting to put together the story, i'm getting these moments, where i think &quot;yes, this is <span style="font-style: italic">exactly</span> what i had in mind.&quot;  not all the way through yet, but then we're not done yet.  and we'd set ourselves some challenges, if you forgive the slightly motivational-speak term here, which were really quite taxing.  and somehow it worked out.  i can't yet take a step back and say: &quot;of course, this is how we did it ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/10/its-a-wrap</link>
      <pubDate>Mon, 19 Jun 2006 22:14:30 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/10/its-a-wrap#cmt</comments>
    </item>
    <item>
      <title><![CDATA[&quot;it's all nonsense anyway, so i shouldn't worry about it&quot;]]></title>
      <description><![CDATA[last week went by so fast, and was so full-on, i'm still catching my breath, literally.  i was too busy or too exhausted most of the time (and, once, i admit, too drunk) to keep a diary, so this is all written in retrospect, and things when they're so budged up to each other start to blur into one a bit.  but here goes:

monday - travel day

gemma at avis tells me this is the biggest car they've got.  we'd ordered a seven seater with large luggage capacity.  what i see standing in front of me is a seven seater with enough luggage capacity for a handbag.  i worry about the generator, which miles tells me is the size of a coffee table, but i like the electric side doors.  

gregor loves the electrict side doors.  gregor's come over from switzerland to do stills and docucam and he has many brilliant qualities.  two of them are: 1) he can completely disappear into the background so nobody even notices he exists, and 2) he finds life intrinsically entertaining.  seeing him play with the electric side doors of the peuge, that in itself is a heartwarming sight.

gregor and i load up and get lost on the way to picking up miles.  miles has explained to me where he lives, and i've been to his road several times before, but i have no sense of orientation and outside zone one everything looks more or less the same to me.  the generator people laugh at us because we're running two and a half hours late, but they've never tried to take the back seats out of a peugeot 807...  come eleven we're on the road. 

fast forward nine hours and a bit and we pull up at tomdoun, hungry but well.  malcolm had been first to arrive, but he has an unfair advantage, he's a highlander himself.  malcolm also has a terrible secret, but we don't know that yet.  malcolm has stepped in with about 40 hours notice to rescue our film from turning into a silent movie.  paul has picked up james from the airport, and gary is lost and was last heard of in perth.  perth is nowhere near where we are a ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/9/its-all-nonsense-anyway-so-i-shouldnt-worry-about-it</link>
      <pubDate>Mon, 10 Apr 2006 18:26:05 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/9/its-all-nonsense-anyway-so-i-shouldnt-worry-about-it#cmt</comments>
    </item>
    <item>
      <title><![CDATA[and... action!]]></title>
      <description><![CDATA[there's always one, isn't there.  there's always one person who throws a last minute spanner in the works.  but having had one of those week ends during which you feel that maybe you're taking the concept of &quot;sailing close to the wind&quot; just a gust or two too far, it looks like we're all set to go.

we seem to have been on fairly choppy water over the last two weeks anyway: first of all, we realised we had to scale down just a bit from the &quot;big&quot; HD kit to the more manageable HDV camera.  without going into too much detail: we only have a crew of ten and we're doing a fair bit of outdoors shooting in the rain.  so light, easy to carry and handy for use with a steadicam rig, these are all things that work in our favour.  so after thinking, for a short while, about postponing the shoot till the autumn, we decided to &quot;seize the day&quot;, &quot;strike while the iron's hot&quot; and &quot;just do it&quot; while the cliches keep on coming... 

next, our sound recordist &quot;crisis&quot;.   perhaps there aren't enough of them to go round, perhaps there are but they don't like scotland, perhaps they love scotland as much as we do but they just didn't hear about us, whatever the reason: with the rest of the crew and the cast in place and poised, we were still looking around for a sound man or woman by yesterday lunchtime.  yesterday lunchtime is the saturday before the monday that we travel up to the highlands to start shooting on tuesday.  you get a sense for the imminent nature of the requirement... so emails were flying around, texts were sent to anyone who even remotely works in the media field and posts were placed on shooting people, the filmmakers network.  and lo! up to the mark steps malcolm.  malcolm effectively signed up to being our sound recordist on the basis of a &quot;cold&quot; approach from us by email and a series of phone calls over the next 45 minutes, and for nearly twenty-four hours we had full house.

and then it happened.  the sadly almost inevitable.  you can practically bank on it: ther ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/8/and-action</link>
      <pubDate>Sun, 02 Apr 2006 23:25:30 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/8/and-action#cmt</comments>
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    <item>
      <title><![CDATA[taking shape]]></title>
      <description><![CDATA[it were a blast!  

it's not always that you can enjoy your own party, but our project launch on the third was really excellent, even if i say so myself.  and i can say so myself, because the credit for this does not go to me, but to miles and his mates who mixed just the right kind of sound and had everybody dancing till the wee small hours.  and to the troubadour staff who handled a fairly complex event with aplomb.  and in terms of raising money through the fund a frame scheme, it was, as we hoped it would be, our most successful day yet with several hundred frames being funded on the night alone, and quite a few more being pledged.

and even the gatecrashers were nice!  they dutifully funded some frames, and then partied with the rest of us as if we'd known each other for ages.  that's what i like.  


so after spending saturday in &quot;recovery&quot; miles and i drove up to glasgow where we met our core crew over a couple of pints and i'm extremely happy to have them on board because not only are they a competent bunch, but also some of the most agreeable people you could ever wish to meet.  and when you're about to spend a week holed up in the middle of nowhere working day and night, and living together in the same house, then that really does matter.  

the middle of nowhere though is a wonderful place: it took us another three hours to get there from glasgow, and on the way we practically ran out of petrol.  (a word in your ear: should you find yourself powering up into the highlands of a late sunday night, make sure you fill up your tank.  from glasgow to just after fort william not a single fuel station that's open.  not one.  we tried.  we looked.  we became almost a little bit nervous, so as not to say desperate.  it's that feeling of driving along a wintry country road, stars in the sky, no other car for miles, outside temperature around freezing, and the little petrol pump on your dash flashing at you, bigger, brighter, it seems, by the minute.  by the ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/5/taking-shape</link>
      <pubDate>Sun, 12 Mar 2006 13:13:11 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/5/taking-shape#cmt</comments>
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    <item>
      <title><![CDATA[counting down to project launch]]></title>
      <description><![CDATA[with less than a week to go before our project launch party, things are starting to heat up nicely: the fund a frame scheme is live and with almost three hundred and fifty frames fully funded already, we're of course still quite a long way off the number of funded frames we need to make the film, but we're in a good position for entering what will effectively be phase two of the project: pre-production.  i'm glad when that happens, because the stage we're at right now is always a bit intanginble: we're now at the moment just before the crew is put in place.  just before casting is completed.  just before the production team really starts taking shape.  we're lucky in that we have some key personnel either already committed or on stand-by, but the next few days will see a whole set of arrangements finalised, and everything will start to feel a whole lot more concrete.

then, immediately after the launch party on the third of march, miles and i will be heading up to scotland to do a final site recce and also take some pictures.  so we'll be able to show you in much more detail what the setting for the film will look like than you can see from the images that we've already used on the website.

so: looking forward to friday.  not least also because we'll be showing our first short film, <strong>twenty-six takes on life without allen</strong> for the &quot;last&quot; time.  (certainly for the time-being...).  if you happen to be in london and would like to come along, let us know (just use the contact form on the website, or better still: go to http://www.fundaframe.org/ and fund a frame or a few and we'll make sure you'll get your invite).

incidentally: we're still fine-tuning and making improvements to the fundaframe scheme:  we'll be introducing a &quot;linkbaq&quot; feature soon, which will allow frame funders to have their credit on the website linked back to any url they like.  it's called linkbaq because like the nasdaq, or newsnight's gordaq, our linkbaq index will be tied to external ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/4/counting-down-to-project-launch</link>
      <pubDate>Sun, 26 Feb 2006 03:12:50 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/4/counting-down-to-project-launch#cmt</comments>
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    <item>
      <title><![CDATA[phase one - ready to go]]></title>
      <description><![CDATA[it's done.  the &quot;send&quot; button has been clicked.  the invites are out.  the scheme is launched.  and that means: we're on.  it's what's nerve-wrackingly known as <span style="font-style: italic">the point of no return</span>.

miles and i are making our second short film.  within the next few minutes everybody we know will have been told so, and not only that, we'll have invited everybody to come along to our launch party in march, and what's more: we'll have asked everybody to help us make the film by joining our fund a frame scheme.

it's a good scheme, and i'm a bit proud of it, because as far as we know it's the first and only one of it's kind: you go to our website and in about three easy steps you can become the funder of a single frame in our new film.  or of several. or if you feel particularly generous or excited about it, you can donate a full dozen, or even sponsor a whole second.  i have no idea yet whether or not this is going to be a success, but the reason i hope it will be is pretty obvious: although it would be nothing short of a miracle if we actually managed to get every single frame of this film funded, every single frame that is funded gets us a little closer towards completion.  and it's a truism in short-film-making that you don't work with a full budget.  but even a fraction - we think about a quarter or a third - of our budget will allow us to make &quot;bunkers &amp; mounds&quot;.  so every frame that gets funded by our friends and supporters is in fact worth about three or four to us.  which is why if you haven't already done so, this is a brilliant time to fund a frame!... (there's a link in the bottom right hand corner that you can follow).

so we're now technically in pre-pre-production.  i don't think the term exists.  which means we're probably in pre-production even though we're only &quot;officially&quot; launching the project itself on the 3rd march.  

so what's the film about?  you know, this is my biggest problem right at the moment: the fact that it takes me longer to explain  ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/3/phase-one--ready-to-go</link>
      <pubDate>Fri, 03 Feb 2006 06:38:13 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/3/phase-one--ready-to-go#cmt</comments>
    </item>
    <item>
      <title><![CDATA[welcome to the optimist blog]]></title>
      <description><![CDATA[
it's a pertinent coincidence that just as i'm starting to write my first post in the optimist blog, my iTunes is playing &quot;drowning&quot; by the butterfly effect.  this may mean nothing to you, but to me it does, because it's the track that accompanies cathy's 'out-of-body-experience' in our first short film <strong>twenty-six takes on life without allen</strong>, and as you will see when it's finished, our latest project has a definite water immersion theme to it...


the last time i wrote a blog, it was called a webdiary, it ran under the title &quot;dear dan&quot; and it was in all honesty a fairly irrelevant ramble about nothing in particular, at a time when blogs hadn't even been properly invented yet.  and unlike this one, there was no real point to it.  

the point of this one now is to keep you up to speed with our second short film, <strong>the study of bunkers &amp; mounds in a temperate climate (relatively speaking)</strong>.  it's a ludicruous title, i know, but i like it.  and i love the story behind it.  i would, you might say, since it's my project, but that's not what i mean.  it's not really for me to say whether this is a 'good' story (of course i think it is...), and the film hasn't been made yet, so i can't possibly say yet whether it's a good film or not (with a bit of luck and if everything goes according to plan it will be, but you'll be able to form your own opinion on that).  what i do mean is the way the story has come about: it just had to.  the sheer number of coincidences and fortunate circumstances that led to &quot;bunkers &amp; mounds&quot; make it one of these projects that you can't turn your back on.  

and that's why we're now making this film.  i'll be telling you the story of how &quot;bunkers &amp; mounds&quot; came about here at some point, but for the moment let me just welcome you to my blog and thank you for taking an interest at all.  we're hoping that this will be the first fully frame-by-frame funded film ever, and if you're helping us achieve that then the least you can expect  ..]]></description>
      <link>http://sebastianmichael.net/bMachine/post/index/2/welcome-to-the-optimist-blog</link>
      <pubDate>Tue, 17 Jan 2006 03:44:44 +0000</pubDate>
      <category>General</category>
      <comments>http://sebastianmichael.net/bMachine/post/index/2/welcome-to-the-optimist-blog#cmt</comments>
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